Anita Diamant's The Red Tent is an epic celebration of womanhood, written for women everywhere, regardless of their status, creed or colour. It is the story of a woman whose life was blessed by great love and torn by tragedy, of the lessons she learned through her own experiences and those of the women, and men, whose lives she touched. Diamant has chosen as her leading lady a woman whose name alone conjures up echoes of mystery, passion and betrayal. The Red Tent is the fictional tale of Dinah, whose life, like the majority of women in the Old Testament, merits only a passing mention. It is the men in Dinah¹s life that history has remembered: her famous father Jacob, his dozen sons and especially her brother, Joseph and his technicolour dreamcoat. Not religious? Don' t worry, this biblical character and the story Anita Diamant has woven from the merest hints, will appeal to all. Strangely, even though Dinah lived her life several thousand years ago in a culture far removed from almost all of the women who will read this book, her story is as relevant and fresh as any written in recent years. This novel is as compelling for its female take on the grand themes that transcend time-birth, death, love, hate, betrayal and forgiveness­-as it is for its meticulously researched and hugely fascinating picture of everyday life as an early Jewish woman. The book's title refers to the tent where the women retired each month to pass their menstruation, and the descriptions of their time spent celebrating this fundamental rite of womanhood, and other daily customs make this a most original and inspiring book. In an age when gender and family traditions are becoming more and more diluted, The Red Tent honours women and their many and varied roles in life. [+]

audio book(2 cassettes). mature listners only as this is the classic tale of one woman's freedom of love.

All of the Sharpe novels, not just the new one, Sharpe's Prey, feature genuinely complex plotting in which the reader is kept engaged not just by a central conflict but by a whole host of subplots handled as adeptly as his main narrative. How does Bernard Cornwell maintain such a high standard in his tales of historical derring-do and danger? The genre is a touch overcrowded these days, but Cornwell is unquestionably in the upper echelons, with a consistency that must give most of his rivals pause. It isn't just the formula that makes these books work so well (high-powered, vividly described action, conflicted protagonists risking both their lives and careers, impressive historical detail), it is another factor that has distinguished the author's books since his early work. The year is 1807; Lieutenant Richard Sharpe is planning to leave the army. Against his better judgment, he is persuaded to accompany the Hon John Lavisser to Copenhagen in what is essentially an act of political skulduggery: they are to deliver a bribe and (hopefully) avert a war. But with the French ensuring that Europe remains at boiling point, Sharpe finds himself protecting his charge against French agents and struggling to ensure that the Danish battle fleet is not used to replace every French ship destroyed at Trafalgar. Sharpe is a character we know well and like, and his customary characteristics (tenacity, bloody-mindedness) are well to the fore here, but, as always, the other characters are equally strikingly drawn: Lavisser is a splendidly complex figure, as are several of Sharpe's nemeses. But it's that wonderfully adroit orchestration of action and plot that keeps the pulse racing, with the bombardment of Copenhagen and the massive bloodshed resulting in a truly impressive set piece: Sharpe, from his vantage point on the dune, could see the smoke wreathing the wall. The city's copper spires and red roofs showed above the churning cloud. A dozen houses were burning there, fired by the Danish shells that hissed across the canal. [+]