Paulo Coelho's astonishingly beautiful writing in Eleven Minutes virtually guarantees it the cult status that The Alchemist already enjoys. But what is the Paulo Coelho phenomenon? How can an author who (only a short time ago) was virtually unknown to most readers have taken the world of books by storm-and without the benefit of glitzy advertising? The answer is simple: quality. Such books as The Fifth Mountain andThe Devil and Miss Prym are enough to explain a considerable following for the author, with their atmospheric prose and involving characters. Eleven Minutes tells the story of young Maria living an innocent life in a Brazilian village and is played out in a measured fashion, but with all the author's brilliant scene-setting (very lush here) fully in place. But then Maria experiences love and suffers great pain. From this point, Coelho has us inexorably in his grip. Maria's disillusionment with love leads her to Geneva where she finally ends up selling her body (Coelho may offer us the beauty of life, but never at the expense of its harshness). Maria's approach to sex is complex-this is no mere revulsion arising from what she is now doing with her life. And then she meets a seductive young painter, who may or may not offer her a new path in life. But does she prefer to continue on the dark sexual odyssey she has embarked on, at the expense of real love? There are echoes of DH Lawrence in Coelho's exploration of the sacred and spiritual aspects of sex and it's a brave author who tackles a subject that can so easily slip into strained seriousness. [+]

Age and experience has not withered VI Warshawski. In Sara Paretsky's latest tale, Total Recall, the uncompromising and wildly unconventional private investigator chases leads and suspects around Chicago "like a pinball, careening around the city", despite the fact that she is now positively the wrong side of 40. Paretsky's heroine is called in to investigate a seemingly simple case of insurance fraud (one of her specialities), when things get rather more complicated. At a conference on Christian-Jewish relations, the media is attracted by two very different stories: while protesters outside call for the recovery of Holocaust assets from insurance companies in denial, inside, a middle-aged Jewish man-helped by a recovered-memory therapist-recalls a childhood devastated by Nazis. Warshawski soon becomes involved in both stories. As her journalist boyfriend prepares for a trip to Afghanistan to investigate the dismal human rights record of the Taliban (a timely, if not prescient, angle from Paretsky), a friend of his staying from New York decides to embark on a book on recovered memory, inspired by a TV special on the therapist and her star client. Hired by the author to help check out the duo's authenticity, VI finds herself on a collision course between the past and the present and between her professional life and her close friendship with a group of Jewish friends. One of these, the spiky surgeon Lotty Herschel (a regular Warshawski character), is deeply disturbed to find her own past may be linked in some way to that of the troubled client. With her sharp wit, cynicism and daredevil approach to her job, Warshawski is as annoyingly loveable as ever. There are enough twists and turns to this, her latest outing, to offer a challenging read to die-hard fans and newcomers alike. [+]

It must be harder and harder for Kathy Reichs to keep each new novel as forceful and dramatic as the one before-not that delicate effects (which are not Reichs' thing!) are particularly easy, but there is a danger in a certain fatigue setting in for the reader when an author puts them so comprehensively through the ringer with each novel as Reichs does. Break No Bones is proof positive that the author still knows how to cannily ring the changes on theme of her earlier work-this one is every bit as unsettling as Bare Bones or Grave Secrets, but the path Reichs takes to our pulse rate is somewhat different. Dr Temperance Brennan is working with her students at an archaeological field school on an Island near Charleston , South Carolina. A decomposing corpse is discovered in a shallow grave, showing evidence (connected vertebra, etc. ,) that the body has not been dead for long. While engaged in this mystery, Tempe's own life encounters real havoc when a bullet, possibly meant for her, hospitalises her estranged husband Peter; and her new relationship with Detective Andrew Ryan is in trouble. But, as so often before, cracking a mystery may cost her her life. All of this is handled with the assurance that we have come to expect from Reichs, but there are new things here: Reichs' sense of structure has always been strongly linear, but the extra looseness of the narrative pays dividends in disorienting the reader. Set pieces, too, are more integrated, though with all the usual capacity to raise hairs on the back of the neck. When so many authors are repeating themselves to ever-diminishing effect, it's good to see Reichs is clearly not content to rest on her laurels. [+]