One thing is as sure as death and taxes: that each successive Bernard Cornwell novel will be as exhilarating as its predecessor. Sharpe's Havoc continues the trend, demonstrating once again why the Richard Sharpe books by Cornwell are among the most cherished examples of historical derring-do around. While the novels are all assiduously detailed, with a precise sense of period, Cornwell knows how essential it is that his hero, the danger-prone Richard Sharpe, is as vividly characterised as ever. True to form, in Sharpe's Havoc we never lose sight of the character of the protagonist and the many members of the idiosyncratic supporting cast. This time, we are taken to the spring of 1809 when a few British soldiers are stationed in Lisbon as Marshal Soult undertakes his assault on the garrison of Northern Portugal. It's not for Sharpe and his trusty crew of riflemen to dwell on the finer points of politics when they are sent into the city of Oporto to save the lives of two British women who have elected to stay. But when one of the women, Kate Savage, goes missing, Sharpe (along with Sergeant Patrick Harper and several battle-hardened colleagues) finds himself besieged in the city when the bridge over the river falls to the enemy. The English are forced on in a desperate journey back to the safety of the British encampment, but things become very murky when an enigmatic English officer informs them that they will be staying in the hellhole that is Northern Portugal. Cornwell admirers will know exactly what to expect, and all the heady pleasures that distinguished such earlier books as Sharpe's Battle and Sharpe's Company are fully in place here, with the added impetus that comes from a notably picaresque narrative. All the central characters are drawn with the customary forcefulness, and instead of the expected tension and release that is the hallmark of most Cornwell novels, there's a steadily increasing excitement engendered here that leads to an all-stops-out finale. [+]

Vagabond, the second entry in the "Grail Quest" sequence, has been eagerly anticipated by those who read the first book, and it doesn't disappoint. Thomas has managed to survive the battle of Crécy. Still nursing his wounds, he is dispatched by the king on a mission to look into the matter of his father's inheritance, which is obscurely connected to the Holy Grail. This most precious relic of the Christian faith is a much sought-after object, offering the power of total victory in war to its owner. But Thomas finds himself in the middle of a battle against an army invading the North of England, and other shadowy forces pursuing the grail are prepared to slaughter anyone who stands in their way. In the ruins of his birthplace, Thomas discovers more about his father, and a dangerous voyage to France brings him up against his cousin and arch-enemy, Count of Astarc Guy Vexville. The stage is set for a merciless showdown. Thomas is a protagonist drawn quite as pithily as his much-loved predecessor, and the sheer verve of Cornwell's storytelling here is irresistible. We are plunged into a distant age: bloody, colourful and dangerous. Roll on, volume three! -Barry Forshaw.

Does the fact that the The Last Kingdom inaugurates yet another series from Bernard Cornwell fill you with anticipation-or trepidation? His immensely popular Sharpe novels are, of course, the bedrock of the author's popularity. But when readers learned that he was to abandon the redoubtable Sharpe for a Grail Quest series, there were those who invoked the `if isn't broke, why fix it?' rule. However, when Cornwell proved himself equally adept at conjuring a world of knights and savage combat, his Grail Quest series (the first book of which was Harlequin) soon established itself as another Cornwell winner. And here's yet another series from the protean writer. Do we really need it? Yes, we do-it's a safe bet that The Last Kingdom will prove that the author is seemingly capable of beginning an endless run of new novel sequences. As well as the impeccably plotted narrative, Cornwell has other fish to fry here: nothing less than a totally fresh look at a historical figure we think we know: Alfred the Great. Cornwell's protagonist is Uhtred, caught in the conflict between the Danes and the English in the ninth century. He is born into the English aristocracy, but loses his parents at the age of ten and is raised in Viking fashion by a Dane. When massacres reign down on both sides, Uhtred is torn between his loyalties-and when his family disappears, a reckoning with a Viking chieftain is in the offing. Behind all this is the King, Alfred: complex, conflicted, and by no means the figure that the conventional history books render him. [+]

Heretic is the third book in Bernard Cornwell's much-acclaimed Grail Quest series, a series that many were initially cautious about because it represented something of a change of pace for the master historical novelist. But Cornwell quickly demonstrated that this period of history was well within his remit, and the sequence has proved to be among his most mesmerising work. Heretic begins with a bloody battle outside Calais in 1347, a short time before the city fell to the English. The sympathetic Thomas of Hookton is bending every sinew at the service of his master, the Earl of Northampton; after risking his life time and again, Thomas finds himself commissioned to track down the most sacred relic in Christendom, the Holy Grail. He travels to Gascony, seat of power of his nemesis, Guy Vexille. Utilising his archers, Thomas conducts a fierce guerrilla war against Vexille, and yearns for a face-to-face encounter. But then Thomas is routed and finds his campaign in shreds, facing the twin enemies of the church and the plague. In this third book, Bernard Cornwell ups the ante in every sense: along with the splendidly realised battle scenes (a Cornwell trademark), the evocation of the Middle Ages is more crowded and bustling than one might have thought possible without subsuming the protagonists. But most of all, it's the character of Thomas that powers the narrative; having his hero fall in love (sensitively handled here) sets off the ultimate conflict with his mortal enemy perfectly. Leave the 21st century behind and venture into a dark and foreign era-it's a journey you won't regret. [+]

The Pale Horseman is the second book in Bernard Cornwell's Grail Quest sequence, and this highly experienced author will be well aware of the pitfalls awaiting the creator of any second book in a series - particularly when its predecessor, The Last Kingdom, was so enthusiastically received. The fact that Cornwell's Sharpe books are so beloved (for their immense colour and vivid recreation of a very lively period of history) was not a guarantee that this latest venture for the author would succeed. But succeed it did, and The Last Kingdom conjured an era of Vikings and massacres, with a brilliantly drawn (and complex) King Alfred at the centre of the narrative. So - does Cornwell bring off this second book with equal panache? No need for suspense - The Pale Horseman is just as exhilarating a recreation of an age of heroes as its predecessor, delivered with the brio that is the author's trademark. Uhtred was born in Northumbria but rais! ed as a Viking. Married to a Saxon, he has achieved fame as a doughty warrior. But the more reflective Alfred has problems with the aggressive, self-serving manner of his young friend. An alliance, though, is necessary: these two are the sole remnants of those who commanded Wessex, after ill-judged bargains have destroyed the union. The Vikings now reign over most of England, and Alfred and his company are obliged to hide in the swampy netherland of Athelney, trying to regain the support they once enjoyed. Uhtred cannot shake off his Viking training, but finds himself acquiring an admiration for Alfred, who he comes to sense is a great man. [+]