Penny Vincenzi's No Angel is probably her most accomplished novel yet, and draws on many elements of the author's own life in journalism and publishing. Since inaugurating her writing career with Old Sins, Vincenzi has developed into one of the most stylish and compelling writers of blockbusting fiction with such novels as Another Woman, Forbidden Places, and Almost a Crime achieving phenomenal sales and a devoted readership that follows her work very closely. Set in Lyttons, a great publishing house, this saga takes us into the lives of the family who owns it, and the dramas of crossed loyalties, ambition and deception inform a narrative that carries the reader along with great gusto. Vincenzi's canvas at the start of the book is the Edwardian era known as the Belle Époque, a time in which society contrasted hedonistic luxury and great social deprivation, with the First World War waiting in the wings to sweep so much away. Celia Lytton is the firm-minded and ambitious wife of Oliver Lytton, the head of the publishing house that bears his name. Sylvia Miller, coming from a background of crushing poverty, is threatened by Celia's intrusion into her life, when Sylvia's youngest daughter is taken from the family to join the Lyttons and move in a different social circle. Sebastian Brooke, the author of a much-acclaimed children's book, finds himself both professionally and personally involved with the ambitious Celia. This is the first volume in a series, The Spoils of Time, and Vincenzi sets out her stall impressively. We are very quickly involved in the larger-than-life experiences of these powerfully drawn characters, and as well as telling a thoroughly involving tale, the author is able to deal with some serious questions over good and evil. Most of all, it is her charismatic characters (such as the willful Celia) that make a lasting impression on the reader and the author's ability to keep the reader engrossed: Celia had been right, Oliver was initially resistant to the risks of making love to her; but a mixture of emotional blackmail and a determined onslaught on his senses worked quite quickly. [+]

Penny Vincenzi's No Angel is probably her most accomplished novel yet, and draws on many elements of the author's own life in journalism and publishing. Since inaugurating her writing career with Old Sins, Vincenzi has developed into one of the most stylish and compelling writers of blockbusting fiction with such novels as Another Woman, Forbidden Places, and Almost a Crime achieving phenomenal sales and a devoted readership that follows her work very closely. Set in Lyttons, a great publishing house, this saga takes us into the lives of the family who owns it, and the dramas of crossed loyalties, ambition and deception inform a narrative that carries the reader along with great gusto. Vincenzi's canvas at the start of the book is the Edwardian era known as the Belle Époque, a time in which society contrasted hedonistic luxury and great social deprivation, with the First World War waiting in the wings to sweep so much away. Celia Lytton is the firm-minded and ambitious wife of Oliver Lytton, the head of the publishing house that bears his name. Sylvia Miller, coming from a background of crushing poverty, is threatened by Celia's intrusion into her life, when Sylvia's youngest daughter is taken from the family to join the Lyttons and move in a different social circle. Sebastian Brooke, the author of a much-acclaimed children's book, finds himself both professionally and personally involved with the ambitious Celia. This is the first volume in a series, The Spoils of Time, and Vincenzi sets out her stall impressively. We are very quickly involved in the larger-than-life experiences of these powerfully drawn characters, and as well as telling a thoroughly involving tale, the author is able to deal with some serious questions over good and evil. Most of all, it is her charismatic characters (such as the willful Celia) that make a lasting impression on the reader and the author's ability to keep the reader engrossed: Celia had been right, Oliver was initially resistant to the risks of making love to her; but a mixture of emotional blackmail and a determined onslaught on his senses worked quite quickly. [+]